Ashford Castle on the shores of Lough Corrib was built in the 12th century by the Anglo Norman family, the De Burgo’s. The following generations added and expanded the castle and in 1715 the Oranmore and Browne family founded the Ashford Estate.
Over a hundred years later in 1852 Sir Benjamin Lee Guinness purchased the Ashford Estate. His son Lord Ardilaun inherited Ashford in 1868 and is responsible for the numerous woodland areas on the estate. On his death in 1915 the Ashford Estate went to the Iveagh Trust.
It was purchased in 1939 by Noel Huggard and converted into a hotel. 1970 saw the hotel sold to John Mulcahy who further developed this aspect of the castle. A consortium of investors then purchased it in 1985 and two million pounds was spent bringing the castle to its present state of opulence
A mixture of past and present, the castles lofty panelled ceilings, knights in armour, battlements, crystal chandeliers and paintings exist alongside the trappings of a luxury hotel. The hotel’s parkland covers three hundred and fifty acres where activities such as golf, falconry, tennis, archery, shooting, horseback riding, and fishing can be enjoyed.
The castle has had a long list of famous and distinguished guests; it was the place of residence for many of the actors who starred in the film “The Quiet Man”, made in 1951 in Cong. The grounds around the estate were used in several of the scenes. Presently Ashford Castle is regarded as one of the world’s top hotels.
In 623 St Feichin came to Cong and founded a monastery, from then Cong was called Cunga Feichin, Feichin’s neck. Cong Abbey was erected on the site of the monastery by Turlough O’ Connor, the King of Connaught in 1106. It was established as a learning centre and no less than 3000 students are said to have received their education there. Rory O’ Connor, the last High King of Ireland spent his last twelve years in seclusion in the abbey and on his death he was buried at the abbey but was later exhumed and buried with his father Turlough O’ Connor at Clonmacnoise.
Sir Benjamin Guinness the owner of Ashford Castle began to rebuild the abbey in 1860. The Foys from Cong who were renowned for their expertise with stonework completed the masonry. There are three beautiful carved doorways, which illustrate some of the Foys most outstanding work. The Gothic doorway consists of columns, brilliantly carved capitals and gothic arches; it is probably the Abbey’s finest feature.
Part of the Abbey grounds have been used as the parish burial grounds and one of the earliest inscribed gravestones is a tombstone which lies in the nave of the church on the way into the Abbey. The inscription reads “pray for the soul of James Lynch, Abbot of Conge, who died AD 1709.
This magnificent piece of 12th century craftsmanship is regarded as one of the finest of its era. It is called the “Bacall Bui” (yellow crozier) and was commissioned by the king, Turlach O’ Connor and was made in Roscommon in 1123.
Made of oak and standing 30 inches high with arms extending 19 inches, it is covered with silver and bronze plates washed with gold. Its edges were studded with precious stones and a large crystal in the centre covered the relic enshrined in the cross. The cross is richly decorated with designs of intricate interlacing and the carved heads of animals, even the nail heads used are shaped in the head of an animal, evidence of the Scandinavian influence in Irish art.
There are several inscriptions on the cross, one in Latin which was sent from Rome to Turlach, which reads, “the Cross on which the Creator of the world suffered was enshrined in the Bacall Bui”. The Gaelic inscriptions ask for prayers for Turlach O’ Connor, King of Eirinn, for two church dignitaries of the family of O’ Duffy and for the Irish artist who created the cross, Maoiliosa O’ Echan.
The cross was guarded by the Augustinians of Cong and was placed on the altar only on very special occasions. The 16th century brought persecution and hardship to the religious orders in Ireland and the Augustinians were forced to leave Cong. One abbot remained as the parish priest and this situation continued until 1829 when the last abbot died. Dean Waldron was the successor and on taking over the Abbot’s house he found several treasures hidden within. The Bacal Bui was among them, in 1839 the Dean sold the cross to the Royal Irish Academy for 100 guineas, this was not a popular act with the people of Cong.
His successor Fr Pat Lavelle was appointed in 1869, he was a well known Fenian sympathiser and a rebel within the religious order. Fearless of repercussions he condemned the then leader of the Catholic Church, Cardinal Cullen and delivered many orations in favour of the patriotic cause. On his appointment as parish priest of Cong he travelled to Dublin and at The Royal Irish Academy asked to see the Bacall Bui. He snatched the cross and returned it to its rightful place, Cong. It has since been transferred to the National Museum in Dublin where it is kept with other national treasures.
Moytura Conga is a mythological site near Cong.
Moytura Conga just east of the village of Cong is an unusual complex of puzzling stone circles and cairns and Edward Lhuyd made drawings of some of these stones as early as 1699. The plain bounded on the west and south by Lough Corrib stretches twelve miles eastwards to Cnoch Meadh the fairy hill near Tuam. It is called southern Moytura (The Plain of the Battalions).
According to mythology this area of stone cairns was the site of a great battle, three thousand years ago. The battle took place between the Fir Bolgs and the Tuatha De Danann. The story tells us that the Tuatha De Danann, the people of goddess Danu, arrived in Ireland, demanded half of Ireland from the ruling Fir Bolgs. The Fir Bolgs refused and a fierce battle ensued, lasting four days.
The very ancient chronicler reported the battle commenced on the 11th of June, in the year of the world 3303.
The Firbolg, to commemorate the event erected the large cairn of stones at Ballymagibbon, two miles from Cong after the first days fighting. Each warrior carried a stone and the head of a slain enemy and the first monument was built. The cairns covered artificial stone passages leading to a central chamber where the ashes of cremated warriors were deposited. There are five similar monuments that stood in a line across the ancient battlefield for a distance of five miles to the northwest.
At some point in the four day battle the Fir Bolgs took the time to challenge the Tuatha De Danann to a game of hurling, three times nine Fir Bolgs played against a similar number of Tuatha De Danann, many Tuatha were killed and a rock or cairn was erected on the spot where the hero had perished. The field where these rocks lay (only the foundation now remains) is called The Field of the Hurlers.
On the fourth and last day of the battle the king of the Fir Bolg, King Eochai, was slain. In his honour the greatest of the Moytura cairns was erected and still stands near a by-road into Cong, it is called Carn Eochai or the Long Stone of the Neale. On the death of their king the defeated Fir Bolg fled towards the northwest. Nuadha, the Danann king, lost one hand in battle and, as a consequence, he had to surrender his throne, but a bardic legend tells that, some years later, he was restored and one of his artificer made a silver hand for him imbued with life.
It is said also that Balor of the Evil Eye, a bad god of Irish mythology, took part in this battle not as warrior but as supervisor watching the ebb and flow of the battle and petrifying with his eye, set on his forehead, companies of soldiers.
Whether or not Moytura Cong is the ancient site of a great battle, it abounds in cairns and other stone monuments. Studies of these stones indicate that they were erected over a long period of time, possibly from the Neolithic to the Iron Age and later and not as we may wish to believe, related to one event. Another remarkable feature of the Moytura Monuments are the stone circles. The circles, which display very different morphology, stand on the crest of a rise at distances varying between 89-177m from each other. Antiquarians have found it difficult to form an opinion as to what the function of these structures was in ancient civilization, some believe they were defensive forts and others that they were druidic altars.
There are nine monuments in total, which include several stone circles and cairns, a megalithic structure and a large platform, all of these bare testimony to considerable Bronze Age activity in a limited area of twenty-three acres.